Tina Malia - Miraculously Medicinal Mantras
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welcome to voice rising with Cara
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johnstad enjoy weekly conversations with
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leading luminaries pioneering
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acclaimed singer composer author healer
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recording artist voice expert creator of
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voice your essence and founder of the
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spool of voice Cara John's dad uses her
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extraordinary spiritual gifts to empower
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others everything in this world vibrates
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receive life-changing positive
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host Cara John's dad
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hello everybody welcome to voice rising
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today I am delighted to have with me in
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studio the prolific singer songwriter
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Tina Melia a visionary musical artist
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tina expresses her radiant inner
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landscape through song and her sonic
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creation span sacred chant world dream
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pop and folk music genres tina is a
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beloved pioneer in a growing community
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of people around the world dedicated to
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residing in harmony with the earth and
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expressing it through art health
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education and music so welcome Tina and
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thank you so much for taking time to be
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with me
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today and to deepen the conversation on
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voice and vibrational healing so I want
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to start with a very I hope it's an easy
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question before we continue to deepen
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this conversation which I love so much
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it's conversation on sound consciousness
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and vibrational healing high frequency
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wellness would you like to share with us
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something from your childhood a memory
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which role did music play while you were
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kid growing up was it was it a natural
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thing to to be music with my whole it
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was it was music was my whole world
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as a child my mother was a concert
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pianist so I lived in and breathed music
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from the time I was in the womb
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literally my mom would practice the
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piano seven hours a day and I was a baby
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so actually I loved telling the story
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because it's my first memory on planet
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Earth is when I was baby
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I liked to be in my car seat which of
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course would would make me a perfect
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candidate for a traveling musician for
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my whole life so she wasn't me in my
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cars the underneath the grand piano that
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was how I got babysat and she was
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practicing for hours and hours so I
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would hear all these songs and I still
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remember them in detail
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no bi note these concertos that she
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would practice but my first real memory
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of earth is the piano starting to go out
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of tune and I was getting so irritated
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by it
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I remember thinking is somebody gonna
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come tune this thing so I so yes music
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has always been my life and then my mom
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started teaching me when I was pretty
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much old enough to talk and old enough
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to request it and it was my first
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language I learned how to read music I
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was learning how to read and write into
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everything else so it's always just been
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my whole life but when you perform you
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you actually perform a lot on the guitar
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right so you're fluent and also in piano
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I'm sure you play harm and ya know it's
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my first instrument is my first
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instrument keep cutting you off you know
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I learned classically which if there's
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any classical musicians out there it's
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it's quite a jump not for everyone but
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for a lot a lot of times it mentally is
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a jump to go from classical music on an
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instrument to writing free flow on that
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same instrument or it was for me maybe
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it's I can just hear the voice of my
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mother standing over me but guitar I
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just always found it a lot easier to
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just let this other exploratory part of
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me come out so and it easier to chant to
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to carry a guitar ya know I love that
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because my mother was also a classical
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pianist prodigy and my grandmother was
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also a class Oh pianist and so I also
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remember building those forts you know
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we draped these big quilts over the
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piano so that was kind of our hideaway
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right but at the same time whenever we
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would play the classical pieces you
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could hear from the kitchen someone
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saying no no that's the fourth finger
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you need on what they knew exactly if
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you weren't making your scales correctly
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that you missed it that from far away so
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I know
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now I understand that that's very
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beautiful this feeling of finding a
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fresh maybe a fresh instrument to
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express that very deep beautiful poetry
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that you have within I was I was curious
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about that so everybody on the path it
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seems like everybody is longing to find
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work that makes their soul sing and you
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definitely have found it you are yeah
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you are traveling you are recording
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you're recording artist you are a
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singer-songwriter what was a turning
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point in your life when you you realize
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that you want to dedicate your your life
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to being a musician and being a
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songwriter well I I kind of always knew
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I would do music I remember being 11 and
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declaring to myself that I I wanted to
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be a singer and I just was clear about
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that you know I I always have to include
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my mother in this conversation because
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she was just part and parcel of all of
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my musical training and and everything
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that led up to that she really wanted me
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to be a classical pianist so I was very
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much being trained to do that but I
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loved to sing and my father my mother
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who's passed now she was from South
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Korea so all the stories you hear are
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true about Korean parents so now they
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are with their kids and now they might
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make you practice hours and hours and
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hours per day and it's very serious so
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that was that side and I would like to
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add it was very grateful for that
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discipline and to have that level of
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training but my father who is American
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much more laid-back much more kind of a
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hippie attitude so he was the one I went
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to for a guitar and he kind of you know
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helped me encouraged me to be a saint to
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sing and be a singer and helped me with
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the you know school play and all my
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choral parts and everything like that so
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I I started to develop this love for
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singing and it just there's just
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something about it to have you're in
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Dermott inside of you and to be able to
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express that instrument that way through
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the feeling of that is just there's for
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me there's no other feeling like that on
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earth it's the most before thing besides
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mantra meditation that I can do so I
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hooked on to that very young and
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declared that was what I wanted to do I
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certainly did not set out to be on this
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path of doing you know quote spiritual
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music or conscious music or that that
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was just part of my path as a human that
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I didn't know it was going to go that
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direction but that just coupled itself
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along with my musical journey but I
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definitely knew I wanted to do music my
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whole life and from very young so how do
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you do it nowadays - are you a
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songwriter who writes it wakes up with
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the dawn and has a certain writing
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practice the morning pages or or you
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know or are you one of those that just
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carries a moleskin or a journal around
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and maybe the audio memo and you're
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grabbing the inspiration when it comes
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is there is there a certain yeah is
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there a certain ritual you have with
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capturing well I I will say in my when I
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first started out as a songwriter you
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know in my teens it was just it just
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poured out I just couldn't stop writing
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songs and you know I'm now on my sixth
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album and it definitely I'm sorry I'm
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I'm just starting my seventh so they it
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goes it's it comes slower now I have to
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kind of and now I'm on tour and I find
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that it's hard for me to focus on two
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things at once so I I when I'm on tour I
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really focus on the tour and so now I
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have to really take the time and kind of
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you know like back in the day when I had
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to lock myself in a room and practice
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for hours now I have to do that with the
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same intention and just really stop all
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distractions and I find that that that
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river of the muse of inspiration is
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there and it's
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always there it's really just about
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stopping and being quiet and and also
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looking for it I have to actually sit
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down with my instruments with the
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intention to write with the intention to
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to find new avenues you know to find new
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to in new inspiration and then it comes
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but I have to I have to stop and I have
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to stop everything in order to do it
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which is actually what I'm just about to
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start doing right the second like
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tomorrow like you said you're going into
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your seventh album so I know the other
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six albums and one of my very favorites
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is your silent awakening album I found
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it a very enchanting and poetic and and
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this is my curiosity as another as a
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fellow singer songwriter and a singer
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that album was full of a lot of poetry
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and a lot of original material that was
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really coming directly from the heart
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you could you know you could say that
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although all the words and now the last
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couple of albums you've you've made
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space in your life also to honor the
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Sanskrit and or the mantras and yeah I
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guess your your other albums also had
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chants in other languages I was just
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wondering is such a talented poet what
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your reasoning was behind that or if you
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find yourself being drawn back to
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expressing your own truth in your own
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words I guess I really so much enjoyed
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that album and I loved I loved all the
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old shanties but I also loved really
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what you what you wrote directly from
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your heart are you planning to do that
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on your seventh album I am this next
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album this next album will be will be
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another album in English I know I live
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kind of in these in these dual world so
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to speak or in several I mean music the
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creation of music the language of music
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the music itself is really what moves me
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and so the words and the language in a
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way they all touch me similarly you know
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the the the Sanskrit and not only the
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Sanskrit occur mouki Hebrew Spanish all
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these different languages they all they
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just have their different flavors and
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they touched me very deeply in different
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ways I have found the mantra chanting to
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be an incredibly effective tool and I
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know a lot of people are very deeply in
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that world and use music in that way and
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I also do so I love to offer that space
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and then I also know I have this whole
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other litany of fans that don't connect
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it all with mantra and they really
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connect you know I have have people just
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straight I'll say that to me when are
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you gonna stop with this mantra thing
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you don't like will never but I
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understand what you're saying like I'm
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definitely also have a deep love for for
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the poetry I will say that that that is
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I remember Sarah McLaughlin saying that
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once in a in an interview and it shocked
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me she said that writing lyrics for her
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was like trying to scoop water out of a
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stone
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and I couldn't believe she said that
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because I always considered her poetry
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to be so prolific and you just assumed
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that it was very easy for her but
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similarly for me that is a process that
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is those songs silent awakening I wrote
13:52
those over many years you know and the
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other thing about that album for me too
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and and this is something I don't admit
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very often so you know I figured that
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was a great time it's there are so many
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things I said on the album like heal
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this land that album for instance but I
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feel like how could I ever say that
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again
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you know like I said really what I
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wanted to say as a human on planet Earth
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in that album so it's hard to know how
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to what you just have to completely let
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that go and take
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come from a completely different angle
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to be able to find a new inspiration
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when you feel like you already said what
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you wanted to say I don't know if that
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makes sense there's a lot of truth in
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that album I think that that is why it's
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such a timeless classic the way it was
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produced to sound of course your voice
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you know the instrumentation it was it
15:01
was a jam it is a gem and it's an album
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that we can play for many many many many
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many years right so the the thing also
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that is always a little bit frightening
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for all of us that are writing songs as
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we hear this beautiful song heal this
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land and then we feel that message and
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that call so clearly and then we stand
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10 years later and the lands are still
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not being attended to or healed and I
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think there's also a great sadness and
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all of us when we realize you know that
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we continue to meditate we continue to
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chant we continue to sing we continue to
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work for the planet and yet sometimes
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it's you know it's just a dedication
15:45
that I guess we just have to continue
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continue and I do feel the tides are
15:50
changing but I can understand that it's
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a you really and that's rare I think
15:56
captured many yeah the essence of song
16:02
in that album and a nice merge between
16:05
what we know is chant heal this land I
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think you know it's it's one longer
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verse that keeps on just repeating so it
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was a nice form I thought of how we
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loved chant and at the same time with
16:19
the poetry of a songwriter anyway yes so
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you you're latest albums you are singing
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beautiful mantras and beautiful chants
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and they're there to heal us and guide
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us back to wholeness
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have you found personal healing through
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your through your life and of recording
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mantras living mantra singing much with
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your chanting practice is also
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stealing journey absolutely I started I
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started chanting mantra with a man who
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you may know I mean if you call what we
16:58
do his name is Jay Hall and he was one
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of the first Westerners that went to
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India along with Christian auth and Nam
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das and he met a man named neem karoli
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baba and he same to me that was kind of
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the introduction for a lot of people and
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they brought that over to the West so
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he's you know a huge influence on
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bringing this practice over to to us
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Westerners and I sang in his band when I
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was 18 I met him and make a very long
17:35
story short I have was singing in his
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band learning these mantras and they
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were very beautiful but I was going
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through a very deep personal crisis
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truly going through the dark night of my
17:47
soul and felt very lost here on earth so
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depressed depressed really isn't even
17:53
the word for it I like to say my my
17:55
cells felt like they were on fire like
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every cell felt like it was burning and
18:01
in so much suffering and to the point
18:05
where I was starting to plan how to end
18:09
my life because I just couldn't take it
18:11
anymore I was I was 24 by the way and
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for no reason I just I couldn't find
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meaning on earth I knew it was here and
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I already had you know put out these
18:23
great albums had all these beautiful
18:25
friends everything provided for me so it
18:28
wasn't that there was any lack external
18:31
in some ways that almost made it worse
18:33
because I really had so much and yet I
18:36
was just I couldn't find my purple
18:40
wasn't even that I couldn't find my
18:41
purpose because I even then I I had
18:43
purpose I always knew what I wanted to
18:45
do it was this deep deep aching
18:49
loneliness that I couldn't shake and
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that nothing was helping me at all and
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so it just wouldn't go away it wouldn't
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go away months and months all day all
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night and finally Jai my friend came to
19:07
me and you know he saw me in this state
19:10
of despair for quite a while and he
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asked me you know he said hey Tina have
19:16
you ever tried doing japa mantra I said
19:20
no I don't know what that is and he said
19:22
it's really easy and he had a mala I'm
19:24
sure all of you have seen you know these
19:26
necklaces these mullahs and they're
19:29
really a tool they're beautiful but
19:30
they're really tools and you said it's
19:33
really easy you put it in between your
19:34
hands
19:35
and every time you you pass a bead you
19:39
chant this mantra and I chant the mantra
19:41
ROM that was the that was what was given
19:44
to me by my teacher and it's just love
19:47
it just means God and love and you're
19:49
just calling out to the divine and he
19:52
said you should maybe try it might help
19:54
you and so I started this practice with
19:57
nothing else with nothing to lose and
19:59
nothing else to do because all of my
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books everything I had done in the past
20:04
even singing music nothing was working
20:07
for me anymore and I was just in this
20:09
constant state of despair so I started
20:12
doing this this mantra repetition and
20:17
after you know many hours that day and
20:22
then the next day and then weeks and
20:24
then months and it was through this
20:26
practice that it I was completely healed
20:30
completely lifted out of this deep state
20:35
of despair so I say that mantra saved my
20:40
life in it and it's true it is something
20:43
that actually saved my life
20:44
and it didn't just pull me out of this
20:46
despair it filled me with the feeling
20:49
that I was so desperately looking all
20:52
over planet Earth for you know and it's
20:55
all the teach spiritual teachings that
20:58
all of us read from every teacher from
21:01
all over the world
21:02
what are they always say it's found
21:04
within well what if you don't know how
21:06
to find it with it and what if you don't
21:08
know what that tool is so for me that's
21:10
what mantra is it's actually a tool it's
21:13
it's like
21:13
giving you a shovel so that you can go
21:16
internally and you can actually dig and
21:19
you can actually dig until you find that
21:21
pot of gold so if that's what that is
21:23
it's this beautiful beautiful sacred
21:25
tool to help you dig and find that so
21:28
that you can actually reach that well
21:30
and I did you know we called that
21:34
beautiful thought creating sound I'm
21:36
somebody that magic of the magic of
21:40
mantra practice we're here today with
21:42
Tina Malia be back in a few moments
21:47
[Music]
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[Music]
25:05
welcome back to voice rising I have with
25:08
me inserted today Tina Malia and we are
25:11
talking about mantra sound consciousness
25:13
and the power of voice to transform our
25:16
lives so Tina your story before the
25:20
break it deeply touched me that I had to
25:23
think of the word sound mind sound body
25:26
making a sound decision how sound
25:29
literally can start to get every single
25:33
cell in our heart and our mind you know
25:36
vibrating and in harmony so that's if I
25:40
thought it was very precious how you
25:41
spoke about being in a dark night of the
25:44
soul and having um not only singing but
25:47
the practice of japa mantra helped to
25:51
heal you make you whole oh yes I still
25:58
do it every day how you do it it's
26:00
become a tried and true friend more than
26:04
anything else and it just is a way it's
26:07
the only way actually that really brings
26:11
me to a place of centeredness of calm a
26:13
peace and like I was saying before the
26:15
break even more than all of those it's
26:18
great to feel calm it's great to feel at
26:20
peace but it's even better to feel
26:23
completely filled to the brim with the
26:26
deepest sensation of love that you've
26:28
looked for your whole life on earth and
26:31
that's what this practice has brought me
26:33
so what more can you ask for than that
26:37
so imma hata it's the title of your
26:40
newest album and it's also the fourth
26:43
chakra of the seven main chakras right
26:45
located directly in the heart a Sanskrit
26:48
word I found it interesting that Anahata
26:50
means also unstruck unbeaten unhurt it
26:54
reminded me of a song from long ago
26:57
unbreak on break my heart that place
27:00
where the heart is innocent and and full
27:04
of abundant love why did you choose to
27:07
name the album Anahata what does it mean
27:11
- exactly exactly I think you just said
27:15
it even
27:16
and I would have said it exactly that
27:22
it's that it's that sense of purity of
27:25
the heart just just that just a sense of
27:30
purity and like you said unstruck before
27:35
before it's it's touched and tarnished
27:38
just how we are in our true nature
27:41
beautiful I'd like to play a piece off
27:44
of the anahata album called moola mantra
27:46
would you like to share a few words
27:48
before we go into that title this is
27:52
really this is a really beautiful mantra
27:54
and it's it's really for calming it's a
27:58
real calming and bringing a sense of
28:01
peace and as all of these mantras the
28:05
the point of all of them as you will
28:07
start to study a bit about them is just
28:12
kind of this return to an end of
28:15
suffering that's kind of just a theme
28:16
that goes through or that runs through
28:18
all of them is different angles to come
28:21
to the end of suffering so that's the
28:25
point of this one is not the point
28:27
but that's one of one of the the
28:28
practices of it moola mantra by Tina
28:32
Maria
28:46
[Music]
29:41
Brown
29:42
[Music]
29:45
oh shoot
29:49
[Music]
32:04
[Music]
32:06
leontina
32:07
is with us here in studio today so Tina
32:10
you're speaking a lot are you sharing
32:12
with us very much exactly what I wanted
32:15
to ask you actually this you know the
32:17
world can be harsh at times we have some
32:19
some challenges that we need to face as
32:22
part of just being on the earth being
32:24
human and it's very natural for us to
32:27
close down in order to survive and yet
32:31
the album it talks really about living
32:34
with that wide open heart and so I was
32:38
just curious do you have a daily ritual
32:42
maybe even you know I know you know
32:45
you're gonna have the daily ritual of
32:46
course of mantra that helps you stay
32:50
with an open heart in that beautiful
32:53
presence that you have even though yeah
32:57
even though the fires are burning even
32:59
though we're facing a lot of challenges
33:02
as a humanity also and personally well
33:08
I'd hate to be a broken record you know
33:14
as I mentioned in the beginning of this
33:16
of this interview so are you tall is the
33:19
person who gave me this this mantra and
33:21
my daily practice and his teacher was
33:24
neem Karoli Baba so this was this was a
33:28
neem karoli baba pretty much his only
33:30
teaching you know he would just say
33:32
chant Rahm he didn't have books he
33:35
didn't have discourses and he would say
33:38
that all of your questions will be
33:39
answered there and you know like I said
33:43
having had this practice now for for
33:45
many years I can say that the truth at
33:48
that is very true for me as well that
33:51
there's it's it actually stops all the
33:54
questions and it kind of stops all the
33:56
searching for everything else because
33:58
they say that mantra is another form of
34:01
silence so it's bringing this this
34:05
feeling of sila
34:06
to everything so yes you're absolutely
34:08
right if the world is crazy right now
34:12
and I feel like what it does is it gives
34:16
this know I use this example of a well a
34:19
lot because that's what it feels like so
34:22
it's you know if you have if your being
34:29
is like this lake you know it's a link
34:31
and you have this internal source of
34:35
this beautiful pure water now everything
34:39
else that is I don't know where I'm
34:41
going with this metaphor I should've
34:43
thought before I do no pun intended you
34:50
know if if if you have this big empty
34:55
vessel and it's not filled at all with
34:58
any water let's just say since we're
35:00
using the water metaphor then whatever
35:02
comes along you know you can dump dirty
35:05
water into it or whatever it is and and
35:08
that's what its gonna hold but if you
35:10
have this this internal source of this
35:14
pure water then if it's filled to the
35:16
brim that's going to be filled with and
35:18
you can walk around the world with that
35:21
fullness I guess is what I'm trying to
35:23
say and it's a its own form of
35:25
protection so it's this sense now I'm
35:29
not perfect I would just like to say
35:31
that this is all you know I'm also very
35:33
human and go through all of my human
35:36
things but I do feel like it's this it's
35:38
a form of protection and it's a
35:40
protection of love I don't know how
35:42
better to explain it than that
35:43
for me personally and it is walking with
35:48
this knowledge that all these things are
35:50
happening and of course doing our best
35:53
to to to help to change to fight with
35:57
necessary but with this sense of
36:01
fullness in the sense of peace and I
36:03
think that's an important I think that's
36:06
really important you know especially for
36:08
those of us that do care about the
36:10
planet and the animals and the trees and
36:12
the water is in the air that we have an
36:16
ability to refill ourselves constant
36:19
because if if we can't do that then you
36:23
know we're screwed the thing is that our
36:34
bodies are 80% or 90% water and we are
36:38
breathing in the air right so we are we
36:41
also have that Stardust in our bodies so
36:44
I think I've you know I've spoken about
36:46
that often too is that we do have
36:48
choices that we get to make and we do
36:51
absorb frequency into that water so that
36:54
idea of the fresh water well the
36:57
wellspring which is literally where we
37:00
get the word wellness right from from
37:02
this well and this Wellspring that we do
37:05
have the choice to to create that high
37:08
vibrational field to feed ourselves not
37:12
only the news and the newspapers and the
37:15
worries and the pain which are apparent
37:18
and I'm not saying at all - you know
37:20
rise above it but to be part of it to be
37:24
in it but I also believe very much that
37:26
sound is a protective force if we we use
37:30
it wisely it's also force that can hurt
37:33
us if we don't use it wisely right but
37:35
it is a powerful medicine very very
37:39
powerful medicine are there any mantras
37:41
or you know people are starting out we
37:44
know that many people you know use oh
37:48
oops we're gonna go into a break teen
37:50
I'm not watching the clock I'm getting
37:52
carried away just stay tuned stay tuned
37:55
we're gonna go into a break we'll be
37:57
back with Tina Maliha talking about
37:59
sound mantras meditation and all
38:02
good things
38:06
[Music]
38:20
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40:01
[Music]
40:07
imagine being fired because of who you
40:09
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40:47
it's it's just a beautiful journey to be
40:49
here with you today and I'd like to
40:53
never you know this Francis from Assisi
40:55
is attributed to saying that to sing is
40:58
to pray twice do you feel that singing
41:01
is to pray yeah it sounds like the
41:15
intent or that is a space of singing
41:17
that we are experiencing while we're
41:19
listening to your music and that we all
41:22
have within ourselves singing absolutely
41:27
no I'm I'm completely on board with I
41:31
you know and it's a choice to of course
41:33
you can sing anything you want to and if
41:35
you what I have found and that's why
41:38
I've dedicated my life this direction is
41:41
when you choose to use your voice to
41:43
sing prayers in whatever language you
41:47
choose to or even if it's humming if it
41:49
really has that prayerful quality to it
41:53
what do we mean by prayerful everything
41:55
from you know gratitude a sense of
41:58
gratitude a sense of healing hope all of
42:02
these all these feelings that when
42:04
there's that intention behind it
42:06
sometimes the sound itself creates that
42:09
you don't even have to do it with your
42:10
mind the sound sound itself can be so
42:14
beautiful that it actually stops the
42:16
and brings those feelings and qualities
42:21
to you but I do find that when there's
42:25
that intention and again that's why I
42:27
love chanting mantra and I love doing
42:29
sacred music and conscious music it it
42:32
like you were talking about earlier it
42:34
does create this vibrational field we
42:38
are made of water it does literally tune
42:41
the water in our bodies to those
42:44
frequencies it's a real scientific fact
42:55
for this album tell me a little bit
43:01
about hey MA Durga before we go into
43:03
this track this is just in celebration
43:07
of the great mother the great mother of
43:09
compassion of fierce compassion mmm
43:12
serious compassion I love it here's Hema
43:14
durga off of the anahata album
43:33
Korona cigar imam Kali Kapali
43:47
[Music]
43:50
Kali ma
43:54
[Music]
43:58
jagged or Dyneema Jack I don't meet JJ
44:03
me
44:06
Jack I don't honey MA
44:11
JJ JJ JJ
44:21
[Music]
44:38
JJ
44:40
[Music]
44:45
[Applause]
44:47
Hey
44:53
[Music]
45:07
kairi kairi on a cigar
45:22
golly
45:25
[Music]
45:31
calling me ma
45:35
[Music]
45:39
Jenna don't hurry NEMA jagged OHA Jayma
45:46
[Music]
45:48
juggled Otellini ma juggled only change
45:53
any mom juggle don't have any more
45:59
juggle all may change anymore
46:03
[Music]
46:04
ja ja da AGG
46:11
[Music]
46:23
that was Hema durga off of the anahata
46:26
album Bettina Maliha who's lucky as
46:31
she's with us in studio T now to share
46:34
with us share with us your secrets what
46:37
are some of your holistic practices and
46:38
mindsets that keep you so vibrantly
46:42
present I'll share with you all of my
46:47
secrets cara my first and foremost have
46:58
already shared so my second secret I
47:00
think the most important thing is diet
47:04
I find that my my body my vessel is very
47:08
very sensitive to everything I put into
47:11
it and it took me a long time to figure
47:13
that out and we really are not taught
47:16
that in the West how what we eat not
47:20
only affects our physical health but
47:22
really affects our mental health almost
47:24
first and foremost so I'm very careful
47:27
with that I mean I'm not like what's the
47:31
word I'm looking for
47:33
thank you I'm not a fanatic but I'm but
47:37
I'm very aware of what I have what I put
47:39
into my body everything from you know I
47:43
mean I'm vegetarian but I don't like
47:46
again I'm not of an I'm not a fanatic
47:48
but I have found also you know through
47:50
my own personal reasons that I want to
47:52
do that but also that it's any foods
47:54
that are very heavy really create a
47:56
heavy mindset for me as well create a
47:59
heaviness in my body everything you know
48:02
caffeine
48:03
I'm just very conscious of what I do so
48:06
that I keep I like to stay in a state of
48:11
no purity is not necessarily the word
48:13
I'm looking for but but in a state of
48:16
well-being like you were saying before
48:18
so that's a very important one for me is
48:22
is health I love cooking I love food I
48:25
love medicinal foods so that's kind of
48:27
my my secret life a lot of people kind
48:30
of joke with me that they know me as a
48:32
cook actually
48:34
like the world thinks you're a singer
48:36
but actually you're a cook so I love
48:39
doing art I'm very very into art so
48:42
anything that has to do with with art
48:45
and I love the earth so I I do
48:49
woodworking I have all these kind of
48:51
separate art projects and they are
48:54
really what keep me healthy I have to
48:57
see the world as art and if I can
49:01
approach any problem as art then I can
49:04
solve it having a really great time so
49:09
that's kind of how I approach everything
49:12
in life so what is your what is your
49:14
Sedona or your practice look like when
49:16
you get really busy when you're on tour
49:18
when you you yeah when you're when you
49:21
get so busy what is what do you make
49:25
sure that you get done so then you can
49:28
stay in balance with all your things
49:31
well you know it's that record it's that
49:34
broken record again for me because that
49:36
you know after so many years of Rob Rob
49:41
meditation you know like I was saying
49:44
earlier in that in that story it for the
49:48
first few weeks it didn't have a lot of
49:50
effect on me and then after months and
49:53
after years now it's something that if I
49:57
get a little frazzled and I feel myself
50:00
get frazzled all I have to do is just
50:02
you know put myself in timeout close my
50:07
eyes and touch into that well to that
50:10
very now well-trodden well of mine that
50:14
well trodden path of that of that
50:16
practice and within moments I'm really
50:22
right there again I I wait I do my
50:24
practice when I'm really busy okay we're
50:27
talking and I'm really busy running
50:29
around the world until I feel that well
50:33
refilling again and then once I feel
50:36
filled I'm like okay back to work and I
50:39
can kind of go back to what I'm doing
50:41
but that is what keeps me together in
50:45
every part of my life
50:47
yeah I think that many people don't
50:48
realize that music really it it anchors
50:50
itself everywhere in our body and in our
50:53
memory so the more you practice it can
50:55
be that it takes only 30 seconds or 10
50:58
minutes to just tap it in you don't need
51:01
that long long practice right I think
51:03
not to say that we don't enjoy long
51:06
practicing but many people are afraid I
51:08
think to start a practice because I
51:10
think I don't have the time but actually
51:12
every moment that you spend in that
51:14
practice of sound and Java mantra is
51:18
enchanting and and music or even
51:20
creativity is nurturing you and staying
51:23
in your memory and your body forever
51:26
forever and ever it's pretty phenomenal
51:30
do you know good internet address that
51:33
that your listeners can go to find more
51:35
about you out and find out more about
51:37
your concerts and retreats and buy some
51:41
music and connect with you just Tina
51:44
Melia comm ti na ma Li a.com okay now
51:51
think about this how can we use the
51:54
power of voice to heal humanity you know
52:11
I guess I'm gonna love my answer into
52:13
what you were just saying because I
52:15
wanted to say something about that about
52:16
the time I started giving workshops I
52:22
never meant to give workshops I always
52:24
only meant to be a singer
52:25
they're performers but but through this
52:28
last few years people have asked me to
52:30
start giving workshops on on all these
52:32
things that I talk about because I love
52:34
them so much something I love and I
52:36
really believe in so one of the things I
52:39
start people with is just to put a timer
52:42
on for 10 minutes that's it 10 minute
52:45
practice per day everyone has ten
52:47
minutes you know so anyone who says
52:49
they're too busy just put a timer on
52:54
your phone and pick something easy you
52:58
know pick something you resonate with
53:00
and whether it's and you're using your
53:03
voice
53:03
internally because the practice I do is
53:06
actually silent but I'm still I still
53:08
hear the word internally so it I think
53:11
it's still effective as as a sound
53:14
vibration so internally or you can do it
53:17
externally or like you said you know
53:21
doing music whether it's chanting or
53:24
some sort of practice like that that
53:26
really intentionally focuses the mind
53:29
for that that that time frame and I find
53:36
that all solutions to our problems can
53:40
come within those few moments because
53:42
actually within that within those
53:44
moments we realize that a lot of things
53:46
that we think our problems are not
53:47
actually problems they're just the mind
53:50
being allowed to run loose and mine is
53:54
not always our friend likes to tell us
53:57
all kinds of things that are not true
53:59
and things that are important that
54:01
aren't really important and so giving
54:05
yourself that time and that practice it
54:08
it changes you it really does it changes
54:12
how we see things it changes how you see
54:15
yourself it changes how you see the
54:17
world it brings a sense of peace and
54:20
calm to all situations and you learn how
54:24
and again I'm not perfect I would just
54:26
like to point out just so we're clear
54:29
that it at least gives you that tool so
54:34
that when the very intense challenges of
54:37
life come up you can remember this place
54:40
because you've given yourself that time
54:41
ten minutes a day to go there you're
54:43
like oh I remember this okay I have a
54:45
choice either to act violently or act or
54:51
stay in this pit of sadness forever
54:53
or I can return to this place that I
54:58
remember that I've been practicing every
55:00
single day because after doing it again
55:02
like we're saying ten minutes a day even
55:04
what happens is you start to become
55:07
familiar with that place so it's like a
55:09
room in your house and you that you
55:12
forgot you had you can go into that room
55:14
you can then remember that you have that
55:16
room so you have the choice which room
55:19
am I going to go into oh actually today
55:22
I'm gonna choose that one and I feel
55:26
that that is the start to a greater
55:29
healing of the planet in a sense because
55:32
it's all internal I mean how can we heal
55:35
anything external without healing it
55:37
internally it's impossible I mean maybe
55:40
it's not impossible but certainly it's
55:43
going to take all of us returning to
55:48
that place remembering love remembering
55:51
compassion remembering empathy and it's
55:53
so easy to point the finger at other
55:55
people it's gonna take all of us we have
55:59
the choice we have the choice let's do
56:03
it
56:03
or as of a dear friend of mine said
56:05
let's did it is so much with me for
56:09
being with me today here at voice rising
56:11
the wonderful prolific open-hearted
56:17
singer-songwriter Tina Malia I hope that
56:19
you will come back and grace the show
56:22
again with your presence thank you so
56:25
much Kara thank you everyone
56:29
[Music]
56:40
you
56:40
[Music]
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